Fantasy Novel

Fantasy Novel
Read a fantasy novel written by me and my brother!
Showing posts with label piano. Show all posts
Showing posts with label piano. Show all posts

Tuesday, August 21, 2012

Unlocking the Secret

Key Changes 


The world of composition really opens up when you begin to expand your horizons from simply playing in one key the entire piece to switching keys. Whether briefly, or lasting the rest of the song, key changes have a dramatic effect on your music. A carefully placed key change can bring your piece up to the next level. Do not overlook this composition secret!

1. Key Change (+1)

Changing the key up 1 half step (or 1 note) is a powerful technique to use. It's usually a dramatic change, because the new notes you'll be playing will mostly be completely different from the ones in the previous key. This key change is very useful for giving your piece of music that extra touch at the end.

For an example of this, go to this link to a musical piece I composed called Two Moons Inn. Go to about 2:08 and listen for the majestic key change. 

2. Key Change (+2)

By far the most common, the whole step transition gives your music a beautiful, epic sound. Works great in almost any case. The only problem with this could arise if your instruments or voices cannot reach the new notes because they're so high. Be careful of this. Otherwise, use this key change to add more power to a final chorus, bridge, or ending of your song.

3. Key Change (+3)

Think Lord of the Rings when you think of this key change. This is the key change used in the beginning of the song called the The Fellowship Theme. If you want to make your musical piece way more epic and triumphant sounding, use this key change. 

4. Key Change (+5)

Chronicles of Narnia uses this chord progression masterfully. Go to the following link and listen to this song called The Battle at about 37 seconds in. See if you can catch the key change. It's hard to catch due to the fact that this new key uses many of the same notes as the previous key. 

This key change which, like the previous one, is great for making great soundtrack music, is particularly powerful and effective when going from major to minor. Start with major and then, once you key change up, go to minor. See the amazing results!

5. Key Change (-2)

Very interesting key change. May have the effect of making your music feel like its sinking and that you're traveling deeper underground. Also, can have the effect of giving your piece a Celtic feel due to the fact that it's similar to using the Mixolydian mode. 

6. Key Change (-4)

The one word to describe this key change is eerie. Listen to this music piece I composed called Snow Queen's Palace and you'll see what I mean. Near the very beginning the key changes. See if you can spot it.

If you love to scare people with your music or if you just like composing music for horror films, this key change is certainly one for you to add to your repertoire. 


I know this didn't cover nearly all of the key changes, but, to be honest, I really am not sure what some of the other ones are good for and what they do. I hope to find out more so that I can post a follow up to this. Anyway, thanks for reading. Hope to catch you later with another post!





Tuesday, August 14, 2012

When Will It End?

Song Endings 

 
How do you end a song? Sometimes ending a song can be the most frustrating thing ever. Here's 5 techniques that will help you to complete this task with ease.

1. State of Suspension

Extend the finishing notes to a perfect close. This can also work for songs, with people holding onto the last note longer and then suddenly releasing. Regardless of the type, this is a classic way for ending songs and works really well. When people hear a songs notes holding out longer than usual, they naturally expect the song to end. Don't disappoint them.

2. Loop and Decrease

A popular method when you just can't find out how to get that finishing touch to end a song. Instead of creating a clear ending, just loop the last section of a song over and continue to decrease the volume until nothing can be heard. Soon after that point of nothingness, the song should end. Not a bad technique, and it makes your listeners feel as if your song is not really ending, but rather that they are just moving away from the source of the music. To put it another way, the journey never really ends, but they just aren't a part of it any longer.

3. The Power of Friction

Near the end of your song, slow the tempo down. When people hear the tempo begin to decrease, they know the song is ending. Use this technique and people won't be surprised or mad at you when your song suddenly ends.

4. Clashing Cymbals

End your song with a bang, a clash, or a loud boom. Cymbals, gongs, and timpani crescendos work very well for this. When you use this technique, you are definitely making it easier on yourself. Without much brain power, you just need to find out the right tool that will signal that your song is about to end. It's not too hard, unless of course, you choose to end a really mild or gentle song in this way. Then, you're in trouble. Good luck trying to get a clashing cymbal to finish off your peaceful new age song.

5. Fancy Finale

I'm sure this one is the most well-known. After all, who doesn't want to end a song with a magnificent flourish, showcasing your amazing ability to end songs with style! Almost everybody does. The truth is though, this isn't always the best way to end a song, and, quite frankly, it's definitely one of the hardest, unless you opt for a cliche finale which won't impress anyone. Still, if you manage to create a unique and impressive finale, you will definitely awe your audience. So, keep in mind the other four techniques, but always keep an eye (or perhaps an ear) out for opportunities to implement this one as well.



That was definitely insightful for me. I think I learn more from these posts than even those who read it! Come back soon for another post regarding key changes and how to use them and which ones are the best.

Tuesday, August 7, 2012

Stranded on a Desert Island

Movie Composer's Toolbox


Imagine if you were stranded on a desert island and had only one item with you. What would it be? Now imagine you were a film music composer and could only choose one type of instrument for your music. What would it be? 

1. Piano
 
I'm sure that some of you would pick piano, and this is a very good choice. The piano is one of the most versatile instruments available, and if you need music for a film, this could work--in some situations. The piano is great for suspenseful scenes, romantic scenes, calm, peaceful scenes, and sad scenes. However, if you are making music for a film that's set in Africa or Asia, I don't need to tell you that you probably don't have the right instrument for the job.

2. Violin

Although not quite as versatile as the piano, this instrument should not be overlooked. It can basically capture the same movie scenes as the piano only that it works even better for melancholy moments. If you want people to really be moved by your music, choose the violin. 

3. Drums

I'm not really sure why anyone would choose this, but I'm sure there are some of you who would. And it's not a bad choice. Drums can make great tribal music, suspenseful music, and exotic music. However, by themselves they can't do much more, so this probably isn't the best choice for a solo band to have.

4. Harp
A lot can be done with the harp. It functions similar to the piano, although it has a more dreamy and fantasy feel to it. If you plan on writing music for an enchanted forest, this would be a good choice.

5. Flute

An excellent choice. Can be used in many situations. Flutes can create very sad tunes and also very beautiful ones. Perfect for certain movie scenes.


Though of course this didn't cover nearly all of the selections, this is good enough for now.

Wednesday, July 18, 2012

Composing Haunting Music

Haunting Music Tips


1. Octave of Terror

One way to create a song which has a scary mood is to hit an octave with your left hand. As octaves by themselves don't really sound minor or major (your brain usually just choose whichever one you're more comfortable with), you need to establish the minor sound with your right hand. I hope you agree that a major sound doesn't really work for creepy music.

Ok, now that that's out of the way, let's get to work. Let's start by hitting both A notes. Try to hit a low A octave if possible. Probably avoid the very lowest of any minor octave as they really stop sounding scary at that point and just start sounding ugly. That's all for this technique.

2. Chilling Suspense

Now, pressing the right pedal, hit the A octave with your left hand and keep holding it down. Now's where the melody comes in. Create a melody (with your right hand) which uses the notes found in an A minor chord. Try to hit different notes. No double-hitting any notes. Listen for the cold sound which comes from executing this tip perfectly.

3. Ethereal Vapors

When creating the melody with your right hand, use the high notes on the piano. The contrast between the low bass in the left hand and the high notes in the right hand makes for a really eerie sound. Last note--maybe avoid the very highest octave as this doesn't really sound that good.


That's all for now. Come back later with more piano composition advice!